Theatrical Full Beard

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Availability: In stock

Excl. Tax: £29.16 Incl. Tax: £34.99

Quick Overview

Theatrical Full Beard

The Full Beard is hand made from real human hair, it is a realistic easy to apply beard specifically developed for theatrical productions. Available in a wide range of colours, the theatrical Full Beard gives you the look you desire.

Please click the colour you require to the left to enlarge the colour and see the colour number.

Theatrical Human Hair Full Beard

The human hair Full Beard is designed for theatrical productions, which in turn make them ideal for fancy dress too. Made from 100% human hair tied onto a fine mesh, the Full beard is light, comfortable and ultra realistic.

Designed for Theatre Productions

All of our moustaches and beards have been developed with theatre productions in mind. Using only the best and most realistic materials, the end result gives a very convincing look that all theatre productions desire.

Theatrical Beards are Best Applied Using Mastix Spirit Gum
As we understand the importance of reliability when wearing a theatrical beard, we only stock the most reliable adhesive. We strongly recommend using our Mastix Spirit Gum for the best results, we have chosen this adhesive as the best on the market.

Beards for Theatres are Easy to Apply:
*Apply Spirit Gum to the area of skin you wish to apply the beard to.
*Apply beard to your face and hold for a few seconds.
*Once you are done, use soap and water to remove the piece.
*Ensure that any residue on the piece is cleaned off.
*The beard is now ready for continuous use.

Theatrical Full Beard

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Excl. Tax: £29.16 Incl. Tax: £34.99

Product Description

Theatrical Full Beard

In ancient Egypt, beards were the norm for all men, but for the Pharaoh, his carefully cultivated beard was in fact a symbol of his power and authority, the same can be used in theatre productions if you wish to have the same effect for your character. Very complicated and careful hair styles (including beards) can be seen adorning statues and embossments of gods, kings, soldiers and other notables from Mesopotamia and Persia. It is obvious that any Assyrian, Babylonian or Persian, or high-positioned notable, was socially unacceptable without a carefully cultivated beard. Such a beard positioned its owner within the higher social classes, and clearly differentiated him from ordinary citizens.

The ancient Greeks inherited these cultural values. Even here the beard played an important social role, and the idea of a beardless Greek philosopher or dramatist is for many of us unthinkable, even though the reality was often different. The beard was part of mythology. The king of the Greek pantheon, Zeus, and his brother Poseidon, the god of the sea, are always pictured with beards. On the other hand, Zeus’ son, the god Apollo, is always portrayed as a beardless young man. Different forms of beard became an idiom of Greek culture and fashion. Preserved pictures tell us of many different fashions of hair and beard styles. Greek soldiers – the heavily armoured hoplites – became famous for the care they took in their appearance before a battle, especially regarding their beards.

Ancient Rome didn‘t follow this Greek tradition, and the beard was considered to be more or less barbarian. A strong advocate of shaving was Scipio Africanus (who defeated Hannibal), and because of him, the shaven face became a symbol of Roman superiority over the rest of the world. All Roman emperors had shaven faces until Hadrian, who admired all things Greek and who, wishing to imitate Greek culture, introduced the beard to Roman high society. Admiration of Greek culture and stoic philosophy (in the modern world, our image of the stoic philosopher is of the bearded ascetic) culminated during the life of Emperor Julian Apostata (332–363). Julian had rejected Christianity, and wanted to restore the old pagan cults. Because of his ascetic lifestyle, he came into conflict with the profligate elite of society in Antioch, Asia Minor. He recorded this conflict in his text “Misopogon” (“Beard-hater”) where, in an ironic way, he criticised both himself and what he saw as being the profligacy and intolerance of Roman society.

The end of the ancient world brought a decline in the care of hair and beards. The newly arriving barbarians didn‘t bring any new ideas, and slowly accepted the ways of the former inhabitants. By the Middle Ages, people knew more about care of hair and beard, but, with a few exceptions, this time saw a preference for shaven faces. Some renaissance of the beard was brought by the religious Reformation. Protestant leaders with beards (following the example of the Old Law prophets) helped to popularise wild beards. Also influential was the Thirty Years War, when the cultivated beard was an almost essential part of the image of army heroes, and adventurers travelling across Europe. But these influences gradually waned, which was probably the reason why male faces in 18th century Europe were generally shaven. An exception however was the great popularity of Hussar or Grenadier moustaches in contemporary armies, when soldiers not having this manly decoration were required to try to draw it on with coal.

The end of the 18th century was the end of the old world, with its shaved faces. Revolutions brought in the romantic bearded appearance. Europe saw a resurgence of the beard after the Napoleonic Wars, culminating in the revolutionary year of 1848. Goatees and moustaches adorned the revolutionaries, and also the new emperor, Franz Josef I. Soon, many European crowned heads (for example, French Emperor Napoleon III, Russian Tsar Alexander III and Prussian King Friedrich III) were displaying magnificent beards. Monarchs led by example, and thus the second half of the 19th century became the “golden era” for beards. However, all of that was ended by the First World War. The beard didn‘t fit the battlefield (mainly because of newly developed chemical weapons and the need to wear gasmasks), and the golden time of the beard ended.

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